Why MAPPA’s Original Anime Zenshu Is a Game-Changer for the Industry

  • Original IP is a Bold Move: In an industry dominated by safe manga adaptations, MAPPA is taking a significant creative and financial risk by launching a completely original anime, Zenshu.
  • A Meta-Narrative for Creatives: The show’s title, “Zenshu” (redo everything), and its plot about an animator reflect the grueling, iterative nature of the creative process, making it a story that will resonate deeply with filmmakers and artists.
  • Strategic Shift Towards Ownership: This project signals a strategic pivot for MAPPA, moving from adapting popular works to building their own wholly-owned franchises, a model that offers greater creative control and long-term financial rewards.

I spent years at an animation desk before I ever stepped onto a live-action set. At eleven, I won a national drawing contest. I was one of the youngest students admitted to La Cambre, Belgium’s prestigious animation school, where I made several films and learned what it means to draw the same frame forty times until it finally feels right. After school, I did an internship at Folimage, an Oscar-nominated studio in France. My only IMDB animation credit is on A Cat in Paris (Une Vie de Chat), also Oscar-nominated—they used some of the bird loop animations I drew back then. For all I know, those birds are still flying in their work today.

I tell you this because I know the grind. I understand what it means to be a 2D animator—the late nights, the sacrifice, the relentless “redo everything” cycle that defines the craft. After Folimage, I realized my focus was storytelling, but I wanted broader tools. I wanted to work across mediums, eventually ending up on live-action sets. These days, my work is hybrid. I pick the medium that fits the job—animation, live-action, XR, AI-assisted workflows. Whatever gets the story told.

So when I heard about MAPPA’s original anime Zenshu, a show about an animator struggling to finish her debut film, it hit close. The title alone—Zenshu, meaning “redo everything”—is a phrase that will make any creator wince in recognition. In an industry built on safe manga adaptations, MAPPA is doing something risky and necessary: betting on an original story. This isn’t just another anime. It’s a declaration of creative independence, and there’s a lot we can learn from it.


The High-Stakes Gamble on Original Anime IP

The anime industry runs on a simple, effective formula: find a popular manga, adapt it, profit from an existing fanbase. This model de-risks projects that cost millions, because market viability has already been proven on paper. To step away from this is to enter a high-stakes arena where failure is real, but the rewards for success are legendary. Creating an original IP from scratch means building a world, characters, and narrative that must captivate an audience with no prior emotional investment. It’s a pure test of storytelling prowess—a bet placed entirely on creative vision without a safety net.

This strategy has created some of the most iconic anime in history. Masterpieces like Shinichirō Watanabe’s Cowboy Bebop and Studio Trigger’s Kill la Kill became cultural phenomena precisely because they were untethered to source material, allowing their creators complete freedom to innovate. Netflix has also heavily invested in this space, commissioning original series like Yasuke and Cyberpunk: Edgerunners to build out its exclusive content library. But for every Code Geass that succeeds, there are countless original projects that fail to find an audience and fade into obscurity, making MAPPA’s decision genuinely audacious.

MAPPA is leveraging the cultural capital earned from adaptations like Chainsaw Man and Jujutsu Kaisen to fund this passion project. They’re shifting from being expert craftsmen to visionary creators. It’s a gamble, but it’s one that could redefine their entire legacy. For independent filmmakers and creators, this holds a powerful lesson about the value of unique ideas. While adapting public domain work or a lesser-known story can be viable, building your own world from the ground up is how you create a lasting legacy and a truly unique brand. It allows for a purity of vision that’s often compromised when working with existing lore.

The practical approach? Invest heavily in pre-production and world-building for your original concepts. Before you write a single word of script, create a comprehensive “series bible” detailing your world’s rules, character backstories, and thematic cornerstones. This foundational work provides the structural integrity needed for your creativity to flourish, much like the extensive development that goes into a project like MAPPA’s original anime Zenshu. When I’m developing new IP, I spend weeks just building the world before touching dialogue or action. That groundwork pays off when you’re deep in production and need to make quick creative decisions that still feel true to your vision.

A Meta-Commentary on the Creative Grind

Zenshu isn’t just a catchy title. It’s an industry term that translates to “redo everything”—a phrase intimately familiar to anyone in a creative field, especially animators who are caught in a relentless cycle of drawing, reviewing, and redrawing frames in pursuit of perfection. The series centers on Natsuko, a prodigy animator struggling to complete her directorial debut after pouring her soul into it. This narrative setup makes Zenshu a profound meta-commentary on the very process of its own creation. It’s a story about making a story, promising to pull back the curtain on the immense passion, sacrifice, and burnout that defines the life of an animator and, by extension, any dedicated creative.

I lived that cycle at Folimage. Drawing, reviewing, redrawing. Testing motion, timing, weight. The discipline of 2D animation teaches you something essential about iteration—you learn that the first attempt is rarely the answer, and that revision isn’t failure, it’s the work itself. The anime industry is notorious for its demanding production schedules and the toll it takes on its artists. MAPPA itself has faced scrutiny over working conditions, making a show that seemingly tackles these themes a fascinating and self-aware choice. This “story-within-a-story” approach has been used to great effect in other beloved anime like Shirobako, which provides a comprehensive and heartfelt look at the daily operations of an animation studio, and the critically acclaimed Keep Your Hands Off Eizouken!, a love letter to the imaginative spark of animation.

By choosing this subject matter, Zenshu isn’t just trying to entertain—it’s aiming to create a dialogue about the art form itself, honoring the unseen artists whose painstaking labor brings these worlds to life. The final product audiences see is merely the tip of an iceberg, beneath which lie countless discarded drafts, failed experiments, and moments of crippling self-doubt. This theme of relentless iteration is a universal truth for all creatives, whether you’re drawing keyframes or blocking a scene on a soundstage.

The key takeaway is to embrace this “redo everything” philosophy not as a sign of failure, but as an essential part of the creative journey. A practical way to implement this is to build a workflow that allows for rapid ideation and experimentation without significant time or resource loss. This is where modern tools become invaluable. When I’m testing new visual approaches, I can generate and discard dozens of concepts in an afternoon before committing to production. Tools like those in our Midjourney Mastery Guide help you rapidly prototype visual concepts—finding the perfect aesthetic by exploring and discarding ideas quickly. This approach internalizes the spirit of Zenshu, turning the grind of revision into a powerful engine for discovery.

MAPPA’s Pivot: From Adaptation Kings to IP Architects

Studio MAPPA’s decision to develop Zenshu is more than an artistic endeavor—it represents a calculated and critical business pivot. For years, the studio has been an undisputed king of adaptation, building a sterling reputation and healthy balance sheet by bringing massive manga franchises to screen. They’ve proven they can execute at the highest level. But the fundamental limitation of adaptation is that you’re ultimately building value for someone else’s property. The licensor of the original manga reaps the lion’s share of profits from merchandise, games, and future installments. You’re a skilled contractor, but you don’t own the house.

By creating a wholly original IP, MAPPA shifts its focus from being a high-end service provider to becoming an architect of its own franchises. This is a long-term play for financial and creative sovereignty. It’s the holy grail for any major media company. The Walt Disney Company isn’t just a film studio—it’s a colossal IP management firm built on original characters and worlds. In Japan, Studio Ghibli became a global icon not by adapting others’ works, but by creating a universe of its own through the singular visions of Hayao Miyazaki and Isao Takahata. On a more contemporary note, studios like Trigger (PromareCyberpunk: Edgerunners) have cultivated a distinct brand identity and fiercely loyal fanbase by consistently producing stylish, original works.

Owning the IP means MAPPA will control every aspect of Zenshu‘s future—from potential sequels and spinoffs to licensing deals and merchandising. A successful show becomes a permanent, revenue-generating asset for the company. This is the difference between being hired to build someone’s dream and building your own empire. For independent creators, this strategic thinking is scalable and essential for building a sustainable career. Your project should not be viewed as a one-off product but as the potential cornerstone of a larger intellectual property.

When developing your film or series, think about its transmedia potential from the outset. Could this world support a comic book, a podcast, or an interactive experience? Building an IP makes your project infinitely more valuable to investors and distributors. I learned this lesson developing projects like Backpacker and The Passport—thinking bigger earlier would have opened doors I didn’t know existed. Integrating tools that streamline this process is key. Exploring workflows that help you conceptualize and manage these larger creative ecosystems allows you to think like a studio architect, even when you’re just starting out. Modern AI-assisted pipelines make it possible to build comprehensive worlds without massive teams or budgets.

Learning from the Zenshu Blueprint

The announcement of MAPPA’s original anime Zenshu is a broadcast to all creators: originality is not dead, and artistic courage can be a viable strategy. In an era saturated with content, a unique, personal vision is the most powerful tool you have to cut through the noise. This project serves as a compelling blueprint for how to leverage success into creative freedom. MAPPA didn’t start with a high-risk original—they first built their reputation, technical skill, and financial stability through adaptations. Then, from that position of strength, they chose to take a meaningful creative leap. This is a model that any filmmaker, artist, or storyteller can learn from and adapt to their own journey.

This path has been walked by countless creators who broke the mold. Independent filmmakers like the Daniels (Everything Everywhere All at Once) spent years honing their craft on music videos and smaller projects before unleashing their wildly original vision on the world and winning an Oscar for it. In the digital space, webcomic artists and YouTubers build massive audiences from scratch by creating unique worlds and characters that resonate with a dedicated community, eventually spinning them off into merchandise, books, and even animated series. The lesson is that building a foundation of technical skill and industry credibility can give you the platform from which to launch your true passion project.

After years of working across animation, cinematography, and directing, I finally felt ready to develop my own original IPs. That foundation matters. You need to prove you can execute before people trust you with their money to build your dream. But once you’ve put in that work, don’t be afraid to take the leap. The value of a distinct voice has never been higher, especially when amplified by the right creative and technical toolkit.

Ultimately, the story of Zenshu encourages us to protect and nurture our most unique ideas. It’s a reminder that while trends come and go, a well-crafted, heartfelt original story can become timeless. For creatives today, the barrier to production is lower than ever before. The practical step is to start now. Don’t wait for permission or the perfect budget. Begin developing your original IP by using accessible tools to bring your vision to life. When I’m in early development, I treat modern AI tools as my personal concept art department—designing characters, visualizing key scenes, creating professional pitch decks. By de-risking the earliest, most abstract stages of creation, you can confidently pitch and develop your own original story, following in the ambitious footsteps of a major studio creating MAPPA’s original anime Zenshu.


Internal Links for Further Learning


Conclusion

The arrival of MAPPA’s original anime Zenshu is far more than just a new title on the release schedule. It’s a statement of intent from one of the industry’s most influential players—a testament to the enduring power of originality and a celebration of the creative spirit itself. For every filmmaker, animator, and creator reading this, it’s a powerful reminder that the boldest ideas are worth fighting for. It proves that even in a market driven by established franchises, there’s still immense appetite for something new, something born purely from a creator’s vision.

I spent years drawing birds in loops at Folimage, learning the discipline of that craft. Then I moved to live-action, then to hybrid work, always testing new tools and approaches. The medium changes, but the core stays the same: tell stories that matter, build worlds worth exploring, and never stop redoing everything until it feels right. MAPPA is doing that at scale. You can do it at yours.

Now is the time to start building your own world. Explore your most ambitious ideas and bring them to life with the powerful tools at your disposal. Take what’s useful from MAPPA’s approach, skip what isn’t. And if you’re working on something original right now, keep pushing. The industry needs more voices like yours.

What original project are you developing? Let me know.


FAQ

What is MAPPA’s original anime Zenshu about?

Zenshu is an original anime series by Studio MAPPA that follows Natsuko, a prodigy animator and director, as she navigates immense pressure and creative burnout while trying to complete her debut anime film. The title means “redo everything,” reflecting the series’ meta-commentary on the grueling, iterative process of animation and creation.

Why are original anime IPs considered risky for studios?

Original IPs are risky because they lack a built-in audience and pre-existing proof of concept that a popular manga or light novel provides. Studios invest millions into production without any guarantee that the characters or world will resonate with viewers, making it a significant financial gamble compared to the relative safety of adapting work with an established fanbase.

How can an independent creator start developing their own original IP?

Start by focusing on world-building. Before writing a script, create a detailed “bible” for your project that outlines the world’s rules, character backstories, and core themes. Then, use accessible tools like AI image generators to create concept art and storyboards. This helps solidify your vision and creates a professional pitch package to attract collaborators or funding.



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